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The Narva Project
Before I became a composer, I was a music producer and hobbyist.
My music started as a teenage side project. I spent my spare time after school, learning the ins and outs of my DAW of choice: FL Studio. It was because I chose FL studio that my music took on such an electronic approach. And rather than taking a traditional route of learning an acoustic instrument and then adapting that knowledge to apply within the context of software.
It took me a manner of years to start to learn the depths of the programme as well as the intricacies that come along with that. At the age of seventeen I started too delve further into the complexities of sound design and putting what I learned into practice.
Thus, Narva was born.
After getting into making other electronic genres from house to dubstep, I picked up a habit that has been a great push to my productions, in that I tend to not make the same genre twice.
Where my consistency in this is lacking, the creativity is not.
As of right now, a lot of my electronic work is ambiguous, from heavily sound designed ambient pieces, dark industrial bass music or up-tempo jazz-fusion electronic genres. Quite a few reviews have tagged me as more of a cinematic producer, wherein my pieces sound like soundtracks for TV, Film and Games.
It was thanks to those comments and reviews that I tried my hand in composing orchestral music which led me to where I am today.
Narva mainly remains inactive due to the intense focus I put into orchestral and classical music at this time. However over the past few years there has been an odd track or two that have found their way around my work schedule, so who knows?